Supriya Devi, born Supriya Choudhury on 8 January 1933 in Myitkyina, Burma (present-day Myanmar), was not just an actress; she was a symbol of strength, grace, and artistic brilliance. Her contribution to Bengali cinema over five decades earned her a place among the greatest icons of Indian cinema. Best known for her unforgettable role as Neeta in Meghe Dhaka Tara (1960), a masterpiece by Ritwik Ghatak, Supriya Devi’s journey from a refugee child to an award-winning actress is both inspiring and motivational.
Early Life of Supriya Devi: From Burma to Calcutta
Supriya Devi’s early life was marked by turmoil and resilience. Born to Gopal Chandra Banerjee, a lawyer, her family had deep roots in Faridpur (now in Bangladesh). However, her life took a drastic turn during World War II, when the family was forced to flee Burma due to the Japanese occupation. They embarked on a treacherous journey on foot, eventually settling in Calcutta (now Kolkata).
Despite the hardships, Supriya’s passion for dance and the arts never wavered. At just seven years old, she made her acting debut in plays directed by her father. Her remarkable talent even caught the attention of Thakin Nu, the then-Prime Minister of Burma, who awarded her for an outstanding dance recital.
These early experiences laid the foundation for her indomitable spirit, teaching her that art can thrive even amidst adversity. Her resilience and commitment to her craft became a cornerstone of her career and life.
Rising to Fame: The Beginnings of an Iconic Career
After settling in Calcutta, Supriya Devi resumed her dance training under the tutelage of renowned gurus like Muruthappan Pillai and Prahlad Das. Her entry into films was encouraged by her family’s close association with the famous actress Chandrabati Devi, who played a pivotal role in introducing her to Bengali cinema.
Supriya made her cinematic debut in 1952 with Basu Paribar, starring opposite Uttam Kumar, under the direction of Nirmal Dey. However, it was her return to the screen in 1958’s Marmabani after a brief hiatus that marked the true beginning of her legendary career. She soon garnered widespread recognition for her role in Sonar Harin (1959), another collaboration with Uttam Kumar that solidified her position as a star.
The Role that Defined Her: Meghe Dhaka Tara
In 1960, Supriya Devi delivered a performance that would forever change her career and the landscape of Indian cinema. Her portrayal of Neeta in Meghe Dhaka Tara, directed by the visionary Ritwik Ghatak, was a revelation. The film, which focused on the struggles of a young woman sacrificing her dreams for her family, struck a deep chord with audiences. Supriya’s poignant depiction of Neeta’s quiet strength and eventual heartbreak resonated with viewers and critics alike, earning her widespread acclaim.
The role showcased Supriya’s depth as an actress and proved that she was more than just a star — she was an artist capable of bringing complex emotions to life. Her collaboration with Ghatak didn’t stop there, as she continued to work with him in films like Komal Gandhar (1961). These roles cemented her legacy as a versatile and powerful actress who could convey both vulnerability and strength with equal ease.
A Legacy of Versatility: From Bengali Cinema to Bollywood
Throughout the 1960s, Supriya Devi continued to shine in Bengali cinema, delivering notable performances in films such as Swaralipi (1961), Agnisanskar (1961), and Shuno Baranari (1960). Her ability to portray a wide range of characters, from strong-willed women to vulnerable individuals, made her a beloved figure in the industry.
Supriya’s talent transcended regional boundaries, and she made her Bollywood debut in 1963 with Begaana, opposite Dharmendra. Although her appearances in Bollywood were few, they further showcased her adaptability as an actress and her ability to captivate audiences across different film industries.
Awards and Accolades: Celebrating a Stellar Career
Over the course of her illustrious career, Supriya Devi was honored with numerous prestigious awards, acknowledging her contributions to Indian cinema. She was a two-time recipient of both the Filmfare Award and the Bengal Film Journalists’ Association (BFJA) Award, and in 2011, she was conferred the Banga-Vibhushan, West Bengal’s highest civilian honor. In 2014, the Government of India recognized her unparalleled impact on the entertainment industry by bestowing upon her the Padma Shri, the fourth-highest civilian award in the country.
These accolades serve as a testament to the lasting impact Supriya Devi had on the film industry and the generations of actors she inspired. Her legacy transcends her filmography, and her story continues to motivate aspiring artists who look up to her resilience and dedication.
Personal Life and Later Years
Behind the glamour of the silver screen, Supriya Devi’s personal life had its share of challenges. She married Bishwanath Choudhury in 1954 and had a daughter, Soma. However, the marriage ended in divorce in 1958. In 1963, she began a lifelong partnership with legendary actor Uttam Kumar, a relationship that lasted until his untimely death in 1980. Despite the personal loss, Supriya remained committed to her career and continued acting in films and television well into her later years.
Her performance in the National Award-winning film Atmiyo Swajan (1998) was particularly praised, with critics highlighting her ability to still command the screen with grace and poise.
On 26 January 2018, Supriya Devi passed away at the age of 85, leaving behind a legacy that continues to inspire artists, filmmakers, and audiences alike.
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